Frank Carroll: At 80, he retires from a "frozen life" of transcendent coaching success in figure skating

Frank Carroll: At 80, he retires from a "frozen life" of transcendent coaching success in figure skating

It was the middle of 1964, and 26-year-old Frank Carroll was in San Francisco at a career crossroads.

He had done college, getting a degree in 1960 from the College of the Holy Cross in his native Worcester, Mass., with a major in sociology and Dean’s List grades.  He had done competitive skating, with national junior singles bronze medals in 1959 and 1960.  He had done show skating, spending four and one-half years with Ice Follies before leaving the show with plans to attend the University of San Francisco Law School, which had accepted him, then deciding he did not want to start academic studies again.

Over the years with Ice Follies, which was styled like an elaborate Broadway review, Carroll had made friends with many actors in musicals like “Kismet,” “Carousel” and “Hello, Dolly.”  One suggested he go to Los Angeles, where friends could help get him work in films.  He went.

“I would go to auditions, and when they would ask what I did, I said, `I ice skate,’’’ Carroll said.  “I was like a joke to them.”

But he was handsome, with a physique buffed in the gym, and that got Carroll parts as a “body person” in three of the eminently forgettable beach movies of the mid-1960s (think “Beach Blanket Bingo,” although Carroll declines to identify which movies he was in or what his stage name was.)  He would stand among a group of other “body people” in the background and sometimes sing with the group.

There would be months between film shoots, leaving Carroll to spend his days hanging at the gym or going to the beach until, as he puts it, “I got bored with this ridiculousness.”

A friend who had photographed Carroll at skating competitions suggested he might fill the down time as a skating teacher.  After all, he had done some coaching as a Holy Cross undergrad to help pay his school and skating bills and done some more coaching after graduation.  The photographer connected Carroll with a rink in the Los Angeles suburb of Van Nuys, where he began working in the 1965/66 skating season.

By 1968, Carroll was coach of a medalist at the national championships.  A year later, he had his first national champion:  Jimmy Demogines in the novice men’s division.  In 1972, he coached Olympic team alternate Robert Bradshaw. In 1976, he coached his first Olympian, Linda Fratianne.

Over the next 40 years, Carroll would become the most successful coach in the United States

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Our favorite performances in icenetwork era, and mine is...(see below)

Our favorite performances in icenetwork era, and mine is...(see below)

We've seen some incredible skating over the last 11 years. We asked our writers tell us what their favorite performances were since the launch of icenetwork in 2007.

(To me, this meant a performance I had seen live and in person. And my choice was easy.)

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Wait for It: Stars on Ice shines brighter as show goes on, leaving you wanting more

Wait for It:  Stars on Ice shines brighter as show goes on, leaving you wanting more

The first half of Sunday’s Stars on Ice show at Allstate Arena in suburban Chicago felt like an interminable rock concert with skating as an incidental accompaniment to music blared at twice the necessary volume.

The decibels didn’t drop much in the second half.  But, despite a difficult two days of travel, the skaters amped themselves up after intermission with programs richer in choreography and polish.  Those performances thankfully dampened the music, putting the skaters at the center of the icy stage and allowing the visual to take the expected precedence over the aural.

By the penultimate star turn, with new world champion Nathan Chen doing “Nemesis,” his competitive short program this season, this was a show that clearly understood the maxim to always leave the audience wanting more.   As Stars finished with the entire cast - 13 U.S. Olympians - combining on “You Will Be Found” from “Dear Evan Hansen,” the two hours of entertainment had become more and more compelling.

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5x3 = astounding for Russia's Alina Zagitova, jumping toward Olympic title

5x3 = astounding for Russia's Alina Zagitova, jumping toward Olympic title

GANGNEUNG, South Korea - It was just after 10 a.m. Thursday, and the leading group of women was winding down its next-to-last practice before Friday's Olympic free skate.

Olympic Athlete from Russia Alina Zagitova, the short program winner, already had done the run-through of her free skate to music from the Minkus ballet Don Quixote.

It included a combination of three triple jumps: lutz, toe loop, loop. Zagitova apparently did it just because she can; the element is not a planned part of her program.

It was only the first course of the sumptuous jumping banquet Zagitova offered to the small audience at Gangneung Ice Arena.

After doing two more combinations of three triple jumps, which are common fare for her, the 15-year-old sated everyone's appetite with an extraordinary concoction.

She did a triple lutz followed by a triple loop and another triple loop and another triple loop and another triple loop. One lutz, four loops. A combination of FIVE triple jumps.

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Talking point: Nagasu suddenly in singles medal conversation

Talking point:  Nagasu suddenly in singles medal conversation

GANGNEUNG, South Korea - Before the Olympics began, the idea that Mirai Nagasu would be in any discussion about potential women's singles medalists was fanciful, even a bit preposterous.

That all changed last Monday.

"I've had her in the conversation for a week," said Robin Cousins of Great Britain, the 1980 Olympic gold medalist and BBC commentator.

A history-making triple axel jump in the team event free skate put Nagasu's name on the Olympic sports world's lips -- and on those of entertainment world celebrities like the Big Bang Theory's Mayim Bialik and Modern Family's Jesse Tyler Ferguson, who have congratulated her about it on Twitter.

"What Mirai has done is absolutely amazing," said teammate Karen Chen, speaking of the triple axel. "I think she will inspire many younger skaters that the impossible is possible."

But it was the 3 minutes, 45 seconds of near-flawless performance following her triple axel that convinced the sport's observers she was not a one-trick pony but a skater with renewed mastery of overall skills to match the resolute will that has generated one of the most endearing comebacks in figure skating history.

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