Gracie Gold 's wise decision to forgo U.S. Skating Championships was "Gracie's alone" - and one of few clear answers to questions about her situation

Gracie Gold 's wise decision to forgo U.S. Skating Championships was "Gracie's alone" - and one of few clear answers to questions about her situation

The definitive thing about the Gracie Gold situation is none of us on the outside still knows much really definitive about the Gracie Gold situation.

Gold has addressed some of the uncertainty in soul-baring posts on social media, where she discussed her withdrawal from a November Grand Prix event after the short program and her withdrawal from the upcoming U.S. Championships.  Two days before she announced the nationals withdrawal, her coach, Vincent Restencourt, posted a vote-of- confidence message to her, with undated video of Gold successfully landing a triple jump in practice.

But U.S. Figure Skating had declined comment two months ago on seven questions I emailed about what factored into her decision to skate at Rostelecom Cup in Moscow, where her painful-to-watch short program was stunningly clear evidence Gold was far from a competitive level.  Her agent at International Management Group also did not respond to messages seeking comment at that time.

That is why I have refrained until now from writing anything more than a few matter-of-fact tweets about Gold since Rostelecom Cup.  There still are more questions than answers.

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Hanyu, Ledecká rise above it all in a year when world sport needed them - and other athletes - as salvation from scandal and cowardice

Hanyu, Ledecká rise above it all in a year when world sport needed them - and other athletes - as salvation from scandal and cowardice

In international sports, 2018 was a year of courage and cowardice and common sense in seeing through a con.

And, as usual, it was a year of athletes of all colors, backgrounds, nations, shapes and sizes rising above the inanity, craven callousness and amorality of the old, white men who run global sports.

To which one can only say this:  Thanks, Yuzuru Hanyu and Simone Biles, thanks Ester Ledecká and Chloe Kim, thanks Eliud Kipchoge and Team Shuster. . .thanks to you and more for the achievements and goodwill that made us remember that sport, for all its ugly, scandalous warts, can show humankind at its most attractive.

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Skating prodigy Alysa Liu, a senior national competitor at 13, is using the present to avoid future shock

Skating prodigy Alysa Liu, a senior national competitor at 13, is using the present to avoid future shock

The idea was to show Alysa Liu what her future might look like and for her to get comfortable seeing herself in that picture.

So Samuel Auxier, U.S. Figure Skating’s international committee chair, arranged for Liu and her coach, Laura Lipetsky, to attend the junior and senior Grand Prix Final competitions earlier this month in Vancouver.

“Having judged and watched the Junior Grand Prixes, it was clear our skaters competing their first time in them were often very intimidated by the Russian and Japanese ladies,” Auxier said.

He soon realized that Liu isn’t intimidated by much.

“At first, she was amazed by the Russian ladies, but then (she) wanted to get out there and show them her triple Axels,” Auxier said.

That’s right, triple Axels.

The triple Axels Liu, 13, plans to show in the senior competition at next month’s U.S. Figure Skating Championships in Detroit.

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Frank Carroll: At 80, he retires from a "frozen life" of transcendent coaching success in figure skating

Frank Carroll: At 80, he retires from a "frozen life" of transcendent coaching success in figure skating

It was the middle of 1964, and 26-year-old Frank Carroll was in San Francisco at a career crossroads.

He had done college, getting a degree in 1960 from the College of the Holy Cross in his native Worcester, Mass., with a major in sociology and Dean’s List grades.  He had done competitive skating, with national junior singles bronze medals in 1959 and 1960.  He had done show skating, spending four and one-half years with Ice Follies before leaving the show with plans to attend the University of San Francisco Law School, which had accepted him, then deciding he did not want to start academic studies again.

Over the years with Ice Follies, which was styled like an elaborate Broadway review, Carroll had made friends with many actors in musicals like “Kismet,” “Carousel” and “Hello, Dolly.”  One suggested he go to Los Angeles, where friends could help get him work in films.  He went.

“I would go to auditions, and when they would ask what I did, I said, `I ice skate,’’’ Carroll said.  “I was like a joke to them.”

But he was handsome, with a physique buffed in the gym, and that got Carroll parts as a “body person” in three of the eminently forgettable beach movies of the mid-1960s (think “Beach Blanket Bingo,” although Carroll declines to identify which movies he was in or what his stage name was.)  He would stand among a group of other “body people” in the background and sometimes sing with the group.

There would be months between film shoots, leaving Carroll to spend his days hanging at the gym or going to the beach until, as he puts it, “I got bored with this ridiculousness.”

A friend who had photographed Carroll at skating competitions suggested he might fill the down time as a skating teacher.  After all, he had done some coaching as a Holy Cross undergrad to help pay his school and skating bills and done some more coaching after graduation.  The photographer connected Carroll with a rink in the Los Angeles suburb of Van Nuys, where he began working in the 1965/66 skating season.

By 1968, Carroll was coach of a medalist at the national championships.  A year later, he had his first national champion:  Jimmy Demogines in the novice men’s division.  In 1972, he coached Olympic team alternate Robert Bradshaw. In 1976, he coached his first Olympian, Linda Fratianne.

Over the next 40 years, Carroll would become the most successful coach in the United States

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A sad, untimely farewell to Denis Ten, iconic as "The Artist" on ice

A sad, untimely farewell to Denis Ten, iconic as "The Artist" on ice

Canadian choreographer David Wilson was surprised and delighted when he got an “out-of-the-blue” email last week from Kazakh figure skater Denis Ten.

In the email, Ten asked if Wilson would help rework the free skate the choreographer had done for him last season so the program would fit the new time limit, 30 seconds shorter.

Wilson was surprised because he did not think Ten was going to compete next season after enduring another difficult struggle with chronic foot problems.

And Wilson was delighted because it would give Ten another opportunity to show the world a beautiful program to a song called, “SOS from An Earthling in Distress,” that the injuries had kept him from performing the way the skater and choreographer hoped.

“I was really touched Denis wanted to keep this program and thrilled that he was going to have another chance with it,” Wilson said from Toronto Thursday morning.  “Now it is gone.”

Ten, 25, died Thursday after what Kazakh media reported was an altercation with two people trying to steal mirrors from his car on a street in Almaty, the capital of Kazakhstan.

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