In figure skating’s long, strange trip of a season, Nathan Chen showed the way

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In figure skating’s long, strange trip of a season, Nathan Chen showed the way

What a long, strange trip it has been for figure skating over the past 13 months.

From the cancellation of the 2020 World Championships in Montreal when the first wave of the pandemic hit full force last March through dealing with two more COVID waves since then, the International Skating Union had to:

*Cancel six of the 10 events (and indefinitely postpone two more) in the second-tier Challenger Series of international events.

*Remake the top tier, six-event Grand Prix Series as domestic-only, with no Final and both France and Canada cancelling their GP events. (Canada also cancelled its national championships.)

*Cancel its two regional championships, the European Championships and Four Continents Championships.

For all that, the season came to a satisfying end. The ISU pulled off both the 2021 World Championships last month in a Stockholm, Sweden, bubble with no spectators other than skaters and officials and the 2021 World Team Trophy last week in an Osaka, Japan, bubble with limited spectators – while Osaka prefecture was in a state of emergency due to a surge in COVID cases.

Here are some takeaways from the 2020/21 season (such as it was):

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Frank Carroll: At 80, he retires from a "frozen life" of transcendent coaching success in figure skating

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Frank Carroll: At 80, he retires from a "frozen life" of transcendent coaching success in figure skating

It was the middle of 1964, and 26-year-old Frank Carroll was in San Francisco at a career crossroads.

He had done college, getting a degree in 1960 from the College of the Holy Cross in his native Worcester, Mass., with a major in sociology and Dean’s List grades.  He had done competitive skating, with national junior singles bronze medals in 1959 and 1960.  He had done show skating, spending four and one-half years with Ice Follies before leaving the show with plans to attend the University of San Francisco Law School, which had accepted him, then deciding he did not want to start academic studies again.

Over the years with Ice Follies, which was styled like an elaborate Broadway review, Carroll had made friends with many actors in musicals like “Kismet,” “Carousel” and “Hello, Dolly.”  One suggested he go to Los Angeles, where friends could help get him work in films.  He went.

“I would go to auditions, and when they would ask what I did, I said, `I ice skate,’’’ Carroll said.  “I was like a joke to them.”

But he was handsome, with a physique buffed in the gym, and that got Carroll parts as a “body person” in three of the eminently forgettable beach movies of the mid-1960s (think “Beach Blanket Bingo,” although Carroll declines to identify which movies he was in or what his stage name was.)  He would stand among a group of other “body people” in the background and sometimes sing with the group.

There would be months between film shoots, leaving Carroll to spend his days hanging at the gym or going to the beach until, as he puts it, “I got bored with this ridiculousness.”

A friend who had photographed Carroll at skating competitions suggested he might fill the down time as a skating teacher.  After all, he had done some coaching as a Holy Cross undergrad to help pay his school and skating bills and done some more coaching after graduation.  The photographer connected Carroll with a rink in the Los Angeles suburb of Van Nuys, where he began working in the 1965/66 skating season.

By 1968, Carroll was coach of a medalist at the national championships.  A year later, he had his first national champion:  Jimmy Demogines in the novice men’s division.  In 1972, he coached Olympic team alternate Robert Bradshaw. In 1976, he coached his first Olympian, Linda Fratianne.

Over the next 40 years, Carroll would become the most successful coach in the United States

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