Quad Queen Trusova does just one but still easily rules at Skate America

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Quad Queen Trusova does just one but still easily rules at Skate America

It must have felt like a day off for Aleksandra Trusova.

The 17-year-old Quad Queen from Russia was a runaway winner Sunday at Skate America in Las Vegas despite limiting herself to just one free skate quadruple jump, a lutz, because of an unspecified foot injury.

“It was like a day of rest,” Trusova said. “We wanted to skate here with three quads but couldn’t. With the injury, I lost a lot of practice time.”

It was the first time Trusova has attempted fewer than three quads at international competition in 11 events dating to the fall of 2018. She did five clean quads in a national event last month.

The third Grand Prix triumph of Trusova’s career came with a total of 232.37 points, more than 15 ahead of compatriot Daria Usacheva, 15, who was making her senior Grand Prix debut.

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After a highly decorated career, Ashley Wagner is proudest of current chapter in her story

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After a highly decorated career, Ashley Wagner is proudest of current chapter in her story

At this time four years ago, Ashley Wagner was beginning the final months of training for what she reasonably could have expected would lead to her second Olympic appearance after having won an Olympic team event bronze medal in 2014.

Sure, her 2016-17 season had been a struggle, with a subpar seventh-place performance at the World Championships. But that was still her sixth straight worlds, and, among U.S. women, only Michelle Kwan has a longer consecutive appearance streak.

Beyond that, Wagner had skated to a silver medal at the 2016 Worlds, to this day the only medal by a U.S. woman at worlds since 2006. And Wagner had been just five points from a medal at the 2015 Worlds, when she was third in the free skate.

In October 2017, no one could have foreseen Bradie Tennell going from relative unknown to 2018 U.S. champion or Mirai Nagasu putting it together for a stunning performance when it counted most, at the 2018 U.S. Championships. Wagner, a three-time U.S. champion, and Karen Chen, the 2017 champion, were, at that point, seemingly the best bets to claim spots on the team going to South Korea, with the third and final spot up for grabs.

Four months later, after a workmanlike, unremarkable performance at nationals, Wagner would be the odd woman out.

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A “new” Alysa Liu in a good place for a transformative season

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A “new” Alysa Liu in a good place for a transformative season

UPDATE: Alysa Liu won the Nebelhorn Trophy, giving the USA a third women’s singles spot at the 2002 Winter Olympics.

Choosing FaceTime rather than a telephone as the medium for an interview with Alysa Liu last week was fortuitous.

The video connection revealed a Liu who smiled constantly – and punctuated the smile with frequent laughs – during a 30-minute conversation.

Liu, talking from a hotel room in the small northern Italian town of Egna, clearly was in a good place.

And not only because the mountain scenery Liu could see outside the hotel is beautiful.

It also was because Liu’s new view of herself has put her in a good headspace.

“I’m much happier now,” Liu said. “I feel better. Mentally, I’m in a very good spot.”

You could see that clearly from Liu’s confident, mature skating in her first two events as an international senior competitor, the Cranberry Cup International in August and the Lombardia Trophy in September. She won both events by huge margins and, more significantly, her performance quality showed a striking maturity.

It was evidence that, at age 16, Liu has suddenly gone beyond the image of jumping prodigy that once captured her skating.

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By the (likely) final performance, Nathan Chen became a mirror for Glass music

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By the (likely) final performance, Nathan Chen became a mirror for Glass music

My observations from Day 2 of 3 at the World Team Trophy, where Nathan Chen was Same As He Ever Was in winning the free skate after winning the short program on Day 1.

(Wait…maybe Talking Heads for him in the Olympic season?)

1. It’s too bad that Friday was most likely the last time Nathan Chen will skate the free program Shae-Bourne artfully choreographed to selections from the music of the minimalist composer, Philip Glass.

Chen clearly had a physical as well as intellectual understanding of Glass, having studied his music at Yale and having learned how to play part of it on the piano. The skater’s interpretation got more nuanced each time he performed it, with the final half of the four minutes at the World Championships and the opening 30 seconds at World Team Trophy clear evidence of how he “got” the music.

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At World Team Trophy, another angle on Chen-Hanyu rivalry

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At World Team Trophy, another angle on Chen-Hanyu rivalry

Thanks to NBC’s Peacock TV for the ability to watch the World Team Trophy from Osaka, Japan, at a reasonable hour in the USA via replay.

It meant I was awake enough to make some (hopefully) coherent observations after Thursday’s day one, which included singles short programs and the rhythm dance.

In no particular order of importance:

I used to think (at least until the 2018 Olympic free skate) that Japan’s Yuzuru Hanyu was so dominant, particularly in component scores, that he could make one semi-serious mistake and still win in any program.

Nathan Chen has shown that thinking no longer prevails, particularly among judges.

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