Nathan Chen, a polymath on ice, honored by Ice Theatre of New York as Olympic champion who bridges world between sport and dance

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Nathan Chen, a polymath on ice, honored by Ice Theatre of New York as Olympic champion who bridges world between sport and dance

In 2017, not long after Nathan Chen had won his first of what would be six straight U.S. titles in figure skating, we talked briefly about his background in ballet.

Now, a lot of figure skaters mention having done ballet, but it is usually little more than something for a sentence in their bios.

But he did not see it the way most skaters do, as just another box to check, like sessions to work on strength, flexibility and endurance.

Chen was serious about the dance lessons, as many as six per week, that he took for 6 ½ years at Ballet West Academy in Salt Lake City.  He started the lessons at age seven to help his skating.  He kept them up for a less pragmatic reason.

“I love ballet,” he said.

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With four Olympic medals, Kaori Sakamoto didn't need gold to cement her legacy

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With four Olympic medals, Kaori Sakamoto didn't need gold to cement her legacy

Kaori Sakamoto knew well before the scores were announced. She skated off the ice Thursday night at the Milano Ice Skating Arena with a glum expression on her face. She could sense that the one jump she couldn’t pull off in her free skate was going to keep her from the gold medal.

Alysa Liu, the soon-to-be champion, got up from the leader’s chair as soon as Sakamoto left the ice surface. Liu hugged Sakamoto tight and long. A tear worked its way slowly down Sakamoto’s right cheek. More tears would flow later from the most decorated women’s figure skater in Japanese history.

“I really wanted to skate perfectly here,” Sakamoto said via an interpreter. “Knowing that I couldn’t, and it was the difference for the gold, was painful. I couldn’t stop the tears.”

This was her third and last Winter Olympics. The second, four years ago, had also ended in tears so strong her body shook as she wept. Those tears looked like a mixture of happiness over winning what she calls “a miracle” bronze medal and relief over simply surviving the chaos surrounding the women’s singles event in Beijing.

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Bradie Tennell returns to U.S. Figure Skating Championships after nightmarish comeback

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Bradie Tennell returns to U.S. Figure Skating Championships after nightmarish comeback

Bradie Tennell was ready. Her bags were packed for an early October trip to the Japan Open, an event that had would have symbolic resonance for her. It was to bring a traumatic part of her life full circle toward its end.

Tennell would be returning to figure skating competition in the same country where she had last competed 20 months earlier, at the 2021 World Team Trophy, before a right foot injury that frustratingly defied diagnosis.  The two-time U.S. champion had missed an entire competitive season, missed a chance at going to a second Olympics, missed the part of her identity that was Bradie Tennell the athlete.

It was the day before she was to leave for Japan. Tennell was practicing at her new training base in Nice, France, where she moved last September from her home in suburban Chicago (before her injury, she had been training in Colorado Springs). She was hoping such a dramatic change could bring renewed energy to her oft-delayed comeback.

Tennell had been training well, regularly doing clean program run-throughs in practice. She had been able to work her way back slowly and deliberately, with a schedule that allowed her to be patient.

And then, in her words, “something weird” happened on the landing of a triple toe loop jump. And now she had pain in her left foot, and the trip to Japan was off, as was a planned trip to Hungary for the Budapest Trophy a week after the Japan Open, as was … another season?

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Valieva case spotlights an old question in figure skating: Will age minimum be raised?

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Valieva case spotlights an old question in figure skating: Will age minimum be raised?

Would raising the minimum age in figure skating prevent another Kamila Valieva situation in the future?

It would not directly deal with the issue of doping that is at the center of this highly controversial case, which has utterly overshadowed the 2022 Winter Olympic figure skating competition for the week since it became public.

But it would address part of the multi-layered problem that may have contributed to Valieva, 15, having a banned drug, trimetazidine, appear in a doping control sample she gave Dec. 25.

Olympic champion Nathan Chen’s coach, Rafael Arutunian, has advocated raising the age minimum for several seasons. He thinks the Valieva case will put more pressure on the International Skating Union to do it.

“If you are skating in an adult competition, you should be an adult,” Arutunian told me this week via telephone.

NBC Olympics has confirmed a Russian TV report that the ISU governing council will put forward a proposal to raise the minimum age for Olympic-level (senior) international competition on the agenda of the ISU congress in June. The minimum would go from 15 to 17, cover only figure skating and be phased in.

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Nathan Chen makes a statement with commanding short program in Olympic team event

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Nathan Chen makes a statement with commanding short program in Olympic team event

Nathan Chen’s short program to the Charles Aznavour song “La Boheme” includes a passage with an expressive emotional release, his mouth clenched into a grimace, his eyes afire with the passion and longing of the artist the lyrics describe.

The emotion in that choreographed expression during the team event short program Friday morning at the 2022 Winter Olympics also spoke of a different release than the one Chen needed simply to inhabit the role he was interpreting.

Chen seemed to be letting go of all the frustration and disappointment that had followed his stunningly poor performances in the team event and individual event short programs during his Olympic debut four years ago.

“It feels good to have a short program that I actually skated well in an Olympic experience,” Chen said.

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