Jason Brown is a skater for an earlier time, the one before multiple quadruple jumps became necessary to win medals at major international competitions.

And yet Brown still is a skater for all time, one who has created indelible impressions from the entirety of his programs rather than from instants of outstanding athleticism provided by the revolutionary jumps.

"I have utmost respect for what those guys are doing to push the sport technically," he said this week in China. "I’m just in absolute awe, and I wish I could be one of them as well. But I am going to push the sport in my way."

That is through performances like the one Brown gave Tuesday in the short program at the 2022 Winter Olympics. His four jumps simply were part of a seamless, compelling expression of a traditional Black spiritual, "Sinnerman," as sung by Nina Simone and choreographed by Rohene Ward with references to what Alvin Ailey created for his landmark ballet, "Revelations."

Jason Brown’s usually boundless optimism finally hit its limits about a month ago.

“I just shut down,” Brown said.

His intrinsic motivation to keep improving and his consummate love for figure skating had already been challenged several times since Brown returned from his parents’ home in the Chicago suburbs to his Toronto training base in late June. Eventually, in December, he found himself thinking about practice like a 26-year-old terrible two, his mind saying louder and louder, “I DON’T WANT TO GO.”

“A lot of weird moments,” he said.

There were days when his training was going so well he felt the sky was the limit but more days when, for the first time in his two decades in the sport, he felt burned out and done.

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In potential swan song, U.S. figure skater Jason Brown vows to do things his way

His optimism challenged by ‘life on repeat,’ Jason Brown learns to take each day as it comes

Globetrotting by Philip Hersh

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