In potential swan song, U.S. figure skater Jason Brown vows to do things his way

In potential swan song, U.S. figure skater Jason Brown vows to do things his way

Jason Brown is a skater for an earlier time, the one before multiple quadruple jumps became necessary to win medals at major international competitions.

And yet Brown still is a skater for all time, one who has created indelible impressions from the entirety of his programs rather than from instants of outstanding athleticism provided by the revolutionary jumps.

"I have utmost respect for what those guys are doing to push the sport technically," he said this week in China. "I’m just in absolute awe, and I wish I could be one of them as well. But I am going to push the sport in my way."

That is through performances like the one Brown gave Tuesday in the short program at the 2022 Winter Olympics. His four jumps simply were part of a seamless, compelling expression of a traditional Black spiritual, "Sinnerman," as sung by Nina Simone and choreographed by Rohene Ward with references to what Alvin Ailey created for his landmark ballet, "Revelations."

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Nathan Chen as Nureyev? It's really not a surprise

Nathan Chen as Nureyev?  It's really not a surprise

Search the internet for still pictures of ballet legend Rudolf Nureyev dancing Le Corsaire.

Then compare your findings to screenshots from the first 30 seconds of Nathan Chen skating his short program to music from that ballet.

In several instances -- especially in the time before Chen begins jumping -- the parallels between the skater and the dancer are striking. There are moments when Chen's arm carriage, known as port de bras in ballet, and the positions of his feet are virtually homage to Nureyev's performance.

That is not surprising, given that Chen and his choreographer-coach, Marina Zoueva, put together the program after spending hours looking at YouTube video of Nureyev in Le Corsaire, a mid-19th century ballet to the music of Adolphe Adam.

"We basically modeled it right after Nureyev and tried to make [it] as similar as possible," Chen said.

That Chen can reflect Nureyev seems surprising until you talk with people who taught him and danced with him during the 6 1/2 years he studied at Ballet West Academy in Salt Lake City. It surprises them that some figure skating judges apparently find it hard to recognize the artistic ability, musicality and dance skills they saw in Chen soon after he enrolled at the school as a 7-year-old.

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