While waiting for Hanyu and Chen in Grand Prix opener, a look at stumbles, struggles and success

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While waiting for Hanyu and Chen in Grand Prix opener, a look at stumbles, struggles and success

After a hectic first month of the Olympic figure skating season, there finally is a weekend to catch our collective breath, with just two low-level international events before the senior Grand Prix series begins with a bang:  Yuzuru Hanyu of Japan and Nathan Chen of the United States at the Rostelecom Cup Oct. 20-22 in Moscow.

Chen established himself among the world's top skaters when he topped Hanyu in the free skate at last season's Grand Prix Final (Hanyu won the event for a record fourth straight time) and then beat Hanyu  for the Four Continents Championship title on the 2018 Olympic rink in South Korea.  Hanyu had the last (and definitive) word at the World Championships, rebounding from a subpar short program with a brilliant free skate to win worlds for the second time, while Chen stumbled to sixth overall.

The six Challenger Series events so far this season (and last weekend’s free-skate-only Japan Open) have produced some noteworthy performances, good and bad.

Ten random observations:

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Play it again. And again. Reruns, early brilliance and more in this Olympic figure skate season

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Play it again. And again. Reruns, early brilliance and more in this Olympic figure skate season

It isn’t even October, and this Olympic figure skating season already has featured some stunning performances – all in Class C level competitions of the International Skating Union's Challenger Series.

(Class A is Olympics and worlds; Class B is Grand Prix - with the Grand Prix Final a B+.)

Does that still mean the best is yet to come or that a few top skaters – especially in singles - will have peaked too early, with the Olympics not until February in South Korea?

Only time will tell, of course, but the changed framework of international competition, with Challenger Series events now drawing media attention and audiences for live streams, means some skaters are trying to be great in many events from September through early April.

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With tweaks, proposed figure skating changes make sense

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With tweaks, proposed figure skating changes make sense

It used to be that the start of the Grand Prix Series marked the start of a figure skating season.

The first Grand Prix event of this Olympic season still is three weeks away, but so much already happened, on the ice in Challenger Series events and away from it with discussions of change in format and scoring, that it’s already time to offer some observations on the sport’s present and future.

I will do it in two parts, one today and one tomorrow.

Let’s start with some thoughts on the potential scoring and program changes I revealed in an icenetwork exclusive Sept. 11.  A top International Skating Union official called the changes "radical" and part of an effort to help figure skating regain some of its past popularity after its rapid decline everywhere but Asia, especially Japan, without whose fans the sport would be reeling toward irrelevance.

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Sonia Henie, as controversial as she was legendary

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Sonia Henie, as controversial as she was legendary

I saw a tweet this week from Kiira Korpi, the Finnish figure skater who won medals three times at the European Championships, that referred to the last day of filming skating scenes for a Sonja Henie movie.  You can't find much information online about such a movie, but it is a biopic with the working title, "Queen of Ice."

That suggests it is drawing from a biography, "Queen of Ice, Queen of Shadows, the Unsuspected Life of Sonja Henie."  The book, written by a Hollywood screenwriter and Henie's estranged brother, paints a very unflattering portrait of the greatest figure skater in history, seen by many as a Nazi collaborator or sympathizer, criticized by Norwegians for her high life, little esteemed in her own country until the end of her life.

When I went to Norway in 1993 to do reporting for a profile on Henie that appeared in a Sports Illustrated Olympic advertising supplement before the 1994 Lillehammer Winter Games, I asked Jan Staubo, then his country's International Olympic Committee member, to assess the way Norwegians viewed Henie today.  Staubo, who had been a pilot and German prisoner during World War II, politely but firmly declined to talk about Henie.

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Takeaways: Chen, Honda set themselves apart from skating peers

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Takeaways: Chen, Honda set themselves apart from skating peers

SALT LAKE CITY - Here are six takeaways from the 2017 U.S. International Figure Skating Classic, which marked the real start of the Olympic season.

1. Nathan Chen stood out last season, not only for succeeding on history-making quadruple jumps but also for accepting the risk to attempt them.

He stood out in his first competition of this Olympic season, the U.S. International Figure Skating Classic, by taking some musical risk while most singles skaters are playing it safe with old warhorses like Turandot, Carmen, Phantom of the Opera, et al., ad nauseam.

Chen let his choreographers -- Shae-Lynn Bourne (who did his short program to the Benjamin Clementine version of "Nemesis") and Lori Nichol (who used the score from the film Mao's Last Dancer, with its powerful passage from Stravinsky's The Rite of Spring, to craft his free skate) -- pick the music.

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