Madison Chock and Evan Bates find appreciation in swan song Olympic season

Madison Chock and Evan Bates find appreciation in swan song Olympic season

They have been around the competitive ice dance world so long it would be easy for Madison Chock and Evan Bates to develop a sense of ennui, a sense of been there, done that, of thinking how can their 1,000th practice or seventh appearance at the U.S. stop on the Grand Prix circuit be anything more that a forgettable way station on the trip to their ultimate goal.

It's just such an attitude that the winners of the last three world titles have been consciously rejecting as they prepare to skate together in a fourth Olympics this February in Milan, Italy, where they would seek the one thing missing from their sparkling résumé: an ice dance Olympic medal (preferably a gold one.)

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Her choice of music is no accident: Bradie Tennell is on a personal mission of trying to make another Olympic team

Her choice of music is no accident: Bradie Tennell is on a personal mission of trying to make another Olympic team

The story of Bradie Tennell’s long and decorated figure skating career has a satirically cartoonish side to it, which is something she wryly acknowledges, no matter that it has hurt like heck at times to be its protagonist.

“I have definitely felt a bit like Eeyore,” Tennell said, recalling the donkey in A.A. Milne’s Pooh stories with a perpetually aggrieved and ironically comedic view of his plight.

“They’re funny things, Accidents. You never have them till you’re having them,” Eeyore says in The House at Pooh Corner.

How true that has been for Tennell, 27, who makes her Grand Prix season debut this weekend at Skate Canada in Saskatoon, Saskatchewan. For the last five seasons, it has been one thing after another for the two-time U.S. champion and 2018 Olympic team event bronze medalist.

Injuries. Boot problems. More injuries. Blade issues. Tennell kept trying to avoid having the other boot drop, because it usually hit her leg. Whether her travails were purely accidental or just the damage elite athletes incidentally do to their bodies and equipment, she had them all while trying to make another Olympic team.

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A season of tragedy and triumph for U.S. figure skaters

A season of tragedy and triumph for U.S. figure skaters

The figure skating season that ended nine days ago at the World Team Trophy in Japan was one of overwhelming tragedy and historic triumph for Team USA.

The tragedy happened Jan. 27, when 28 members of the U.S. figure skating family were among the 67 people who died in a crash between their plane and a military helicopter near Washington, D.C.

Among the 28 with ties to the skating community were 11 young skaters, plus some of their parents and coaches, all returning from a development camp following the U.S. Championships in Wichita, Kansas.

At that point, with a pall hanging over them and hearts heavy with pain, the top U.S. skaters still had nearly three months left in the season, with three championship events left:  Four Continents, World Championships and World Team Trophy.

For nearly all of them, going back to practice was both incredibly difficult and necessary, as the U.S. elite sought ways to honor the memories of those who had died by honoring the sport they all loved with their best efforts.

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Sarah Everhardt goes from scene stealer to spotlight at U.S. Figure Skating Champs

Sarah Everhardt goes from scene stealer to spotlight at U.S. Figure Skating Champs

Sarah Everhardt’s expected role at last year’s Prevagen U.S. Figure Skating Championships seemed to be like that of an extra on a movie set, there to fill out a scene … or, in this case, the field for a competition.

After all, it was Everhardt’s national debut at the senior level, and she had finished 13th and 11th at the junior level the previous seasons, and her results leading up to the 2024 event were unremarkable.

So who could have foreseen Everhardt turning into a bit of a scene stealer as she finished fourth overall and third in the free skate? She did it with two clean programs (no negative grades of execution) for the first time in her career, according to skatingscores.com.

“I know I have it in me,” Everhardt said via Zoom. “When I go to a competition, I know that I’m capable of skating clean, doing my best. So I always just try to use that confidence going in.”

After a solid international season this fall, with a first and second in two Challenger Series events, Everhardt goes into this week’s nationals in Wichita, Kansas as one of a half-dozen medal contenders in a competition that became even more wide open when reigning world silver medalist Isabeau Levito withdrew last week with a foot injury.

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Chen's autobiography provides a rare revelatory look at the man who won Olympic skating gold a year ago

Chen's autobiography provides a rare revelatory look at the man who won Olympic skating gold a year ago

The idea of covering figure skating is something of a contradiction in terms.

Oxymoronic, if you will, like covering all individual sports, in which athletes compete infrequently, train all over the world, and the media rarely sees them in practice.  A far cry from my experiences covering pro football, baseball and hockey, when I saw the athletes nearly every day. The latter is what a journalist thinks of as covering a sport.

I wrote about Nathan Chen’s figure skating career for seven years, beginning with the 2016 U.S. Championships, which would be one of his many history-making performances.

I saw him only at competitions, when the chances to have insightful conversations are minimal.

Even though Chen was gracious enough to do several one-on-one telephone interviews with me, they were generally brief – even if he always spoke so fast you could get 20-minutes-worth of answers in a 15-minute call.

So I never had any misconceptions about really knowing Chen or his family or what he (and they) went through in the nearly 20 years between his putting on skates for the first time and his winning the men’s singles gold medal at the Olympics exactly one year ago.

Sure, there snippets of “revelations,” one coming soon after Chen’s Olympic triumph when his coach, Rafael Arutunian, mentioned giving Chen back money his mother had paid for lessons because he knew how pressed they were for funds.  And, in doing a story about his years taking ballet, I learned from his teachers what a quick study and gifted dancer he was.

But how little I or anyone outside the shy Chen’s inner circle knew about him became apparent in reading his recently published autobiography, “One Jump at a Time,” written with Time magazine’s Alice Park.

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