Japanese figure skating star Uno makes big leap(s) with help from U.S. coach

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Japanese figure skating star Uno makes big leap(s) with help from U.S. coach

It was a perfect mid-August morning, sunny and dry with a temperature in the low 80s. On such a summer day, most people would do anything to get outdoors.

That is where field hockey player Itsuki Uno, 15, and his father, Hiroki, were going to be. They were headed for the golf course, just as they had almost every day during the Uno family's three-week stay in the Chicago suburbs.

Itsuki's older brother, Shoma, 19, would not be in the golfing party.

"I don't particularly like being outdoors," Uno said through an interpreter, with a sly grin that needed no translation.

Uno was perfectly happy spending his days in an environment that could best be described as anti-summer: the indoor ice sheets at rinks north and west of Chicago, where he was working with the man whose expertise as a jump coach had helped the skater make the podium at all nine of his competitions last season. Five of those were victories, and Uno leaped from seventh at the world championships in 2016 to the silver medal in 2017.

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For Abbott, a figure skating career of brilliance and tarnish

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For Abbott, a figure skating career of brilliance and tarnish

What to make of Jeremy Abbott’s competitive figure skating career, now that he used a Thursday interview on the icenetwork podcast, “Ice Talk,” to bring it to an official end?

He was a blend of unquestionable brilliance and baffling mediocrity, the latter covering many of his scintillating moments in a dull finish.

With four senior titles, Abbott is among most decorated men’s skaters at the U.S. Championships.  In the past 65 years, only Todd Eldredge has won more national titles (six).  Abbott won all his in the International Judging System era; no other U.S. man has won more than two in that 12-season period, none more than one in the nine seasons since Abbott won his first.

Abbott skated like a world-beater at several of those U.S. Championships, none more so than 2010, when his performances were better than those of the medalists at the Vancouver Olympics a month later.

And he skated at various levels of back-in-the-pack inconsequence in all his global championships, none more so than those 2010 Olympics, when he was 15th (!) in the short program and ninth overall.

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For Evgenia Medvedeva, the numbers add up to amazing

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For Evgenia Medvedeva, the numbers add up to amazing

Like it or not, contemporary figure skating is a numbers game.

And Russia’s Evgenia Medvedeva has played it better the past two seasons than anyone else in the 14 seasons since the sport’s judging system was changed into something only an accountant with a computer can really love.

Now that the curtain has come down on the final act of the sport’s 2016-17 season, the recent World Team Trophy in Japan, it is worth taking a look at just how remarkable Medvedeva’s numbers have been as she became the first woman to win back-to-back world titles since Michelle Kwan in 2001 -- and, next season, the overwhelming Olympic women's singles favorite.

No matter what one thinks of the choreographic content or themes of her competition programs, (I really liked both in 2015-16 but found what she did this season a bit repetitive in gestures and emotions and generally less appealing), the overall quality of her performances in her first two seasons at the international senior level has simply been stunning.

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Asada's legacy of grace and grit will last forever.

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Asada's legacy of grace and grit will last forever.

Whenever I saw Mao Asada skate well, which she did often, I was reminded of the second line in one of the most famous arias in the operatic canon, "La Donna è Mobile," from Verdi's Rigoletto.

When you get past the trope of the aria's title and opening verse, which scoffs at women for being flighty, you come to the nature of the flight: "qual piuma al vento" -- like a feather in the wind.

That is the best description for the way Asada moved on the ice, even in the later years of her career, when she added the mature elegance of a woman in her mid-20s to the jump that had separated her from nearly every other woman in the sport over the length of that career.

She became lighter than air.

That is how I will remember Asada, who announced her retirement Monday at the age of 26. The timing was a surprise, even if her struggling performances and knee problems over the past two seasons made it clear the time had come.

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Ten observations from the 2016-17 figure skating season

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Ten observations from the 2016-17 figure skating season

Here are 10 random observations about the figure skating season following its biggest event, the 2017 World Championships in Helsinki:

1. Yuzuru Hanyu can look erratic, both painfully and delightfully so.

Even with that, the Japanese star is exceptional enough to have achieved consistently brilliant results in the past four seasons.

Olympic gold. Two world titles. Two world silvers. An unmatched four straight Grand Prix Final victories by a singles skater. Highest scores ever in the short program and free skate, and over a competition. A fan base in his own country and across the world that, thanks to social media, may be the largest in the sport's history.

And imagine what his record would be had he not lost leads after the short program at the 2015 and 2016 World Championships.

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