For reigning U.S. figure skating champion Alysa Liu, growing pains shrink expectations

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For reigning U.S. figure skating champion Alysa Liu, growing pains shrink expectations


It’s easy to understand why Alysa Liu has altered her perspective for the U.S. Figure Skating Championships next week in Las Vegas.

“I don’t necessarily care about my placement anymore,” Liu said via telephone Wednesday.

The two-time defending champion realizes she will be hard-pressed to make it three straight. Getting onto the awards podium might even be out of reach, given what the 15-year-old Liu has been dealing with this season:

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New math: Figure skating’s latest recalculations change skaters’ formula for success

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New math: Figure skating’s latest recalculations change skaters’ formula for success

In the ever-changing calculus of figure skating’s mathlympics, the latest recalculations change some of Nathan Chen’s formula for success.

His two highest-valued jumps, the quadruple Lutz and quad flip, no longer add up to much – or as much – of an advantage.

When Chen hit his first quad Lutz in 2016, the element had a base value of 13.6 points, the highest score for a jump anyone has landed in competition. At that time, a quad Lutz was worth 1.3 points more than a quad flip and 1.6 more than a quad loop.

By last season, when Chen won his second straight world title with brilliant quad Lutzes in the short program and free skate, the jump’s value had been reduced to 11.5, compared to 11.0 for the flip and 10.5 for the loop.

Next season, according to the scale-of-value list the International Skating Union published last week, the Lutz, flip and loop all will have a base value of 11.0. And the Lutz now will be worth just 1.5 more than the mundane quad toe loop after having been worth 3.3 more back in 2016.

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Jason Brown on finding his self-worth, skating to "Schindler's List" and his transformed technique

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Jason Brown on finding his self-worth, skating to "Schindler's List" and his transformed technique

This interview with Jason Brown was done a week before the 2020 World Figure Skating Championships were cancelled because of the coronavirus pandemic. It was planned as an advance story for the event but had not been published before Wednesday’s cancellation announcement.

Because nearly all my questions addressed general rather than worlds-specific areas, I thought figure skating fans still would like to read it. I have edited some things to reflect the changed situation.

First, though, this statement Brown sent me by text soon after the cancellation was announced.

“I’m disappointed not to have the opportunity to compete at worlds. At the same time, I recognize this situation is way bigger than me or figure skating, and I’m 100% in support of doing everything we can to protect each other and our communities.”

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In figure skating, a radical proposal to reshape the sport

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In figure skating, a radical proposal to reshape the sport

In an attempt to rebalance the athletic and artistic sides of figure skating, the sport’s technical committee for singles and pairs is submitting a proposal with sweeping changes for consideration by the International Skating Union at its biennial congress this June in Thailand.

The proposal comes at a moment when the jump revolutions in men’s and women’s singles skating have created a huge competitive imbalance in favor of skaters doing the most difficult jumps – quadruples for men, quads and triple Axels for women.

The proposal will not be made public until April, when the 2020 congress agenda is published. But Fabio Bianchetti of Italy, chair of the ISU singles and pairs technical committee, confirmed its essence and intent to NBCSports.com in emails.

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Yuzuru Hanyu's new (old) programs sound like a broken record. Same old, same old doesn't befit his skating genius

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Yuzuru Hanyu's new (old) programs sound like a broken record. Same old, same old doesn't befit his skating genius

I am going to start my discussion about Yuzuru Hanyu’s decision to recycle old programs with an effort (undoubtedly futile) to stave off an uprising by the Hanyubots, the unhinged slice of Hanyu’s huge and generally terrific fan base that turns into a cult to troll anyone who ventures a legitimate criticism of the skater they worship.

I can only hope they will read at least the next four paragraphs before beginning a knee-jerk rant, as they usually do when, for instance, Hanyu gets scores they deem unfair.

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