At 23, Mariah Bell believes her best is yet to come - including a spot at the Olympics

At 23, Mariah Bell believes her best is yet to come - including a spot at the Olympics

Memory is an often-imprecise function of the mind. Much of how we remember something owes to the atmosphere of the environment in which it happened, in which we experienced it.

This is especially true of seeing performances live, whether they are athletic, artistic or a combination of both. A brilliant performance in a nearly empty, nearly silent venue often will become less than it was in our memory. The same performance before a cheering or applauding large crowd at a significant event often is remembered as more than it was.

Video allows us to test memory dispassionately against reality. Rarely does such replay of something remembered as spectacular make it look as good upon review, stripped from the emotions and context of the moment.

That is what makes Mariah Bell’s free skate performance at the 2020 U.S. Championships so singular, both for her and everyone who saw it at the Greensboro Coliseum in North Carolina last January.

After each of the several times watching it again to write this story, Bell’s elegant, near flawless skating to k.d. Lang’s haunting interpretation of the emotionally powerful Leonard Cohen song, “Hallelujah” actually has gotten progressively better than my memory of the live performance having been remarkable.

It was the epitome of what skaters strive for: the “whole package” of jumps, spins, footwork, ice presence, emotion, interpretation and striking body positions, all seamlessly and commandingly executed. At the national championships, with a roaring crowd on its feet 20 seconds before the four-minute performance ended, with tears streaming down Bell’s face before the music stopped.

It was also the unquestioned highlight of the then 23-year-old Bell’s lengthy and, at times, exasperatingly inconsistent career. It took her from third after the short program to second overall, the most impressive result in her eight seasons as a senior skater, beaten only by phenom Alysa Liu’s point-gobbling jumps. Under pressure in a major event, Bell finally had gotten past being undone by the final jump in her free skate.

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Bradie Tennell moving forward in fresh start, aiming for triple Axel

Bradie Tennell moving forward in fresh start, aiming for triple Axel

Bradie Tennell was frustrated.

Three years after she had gone from “who?” to “wow!,” jumping from ninth to first at the U.S. Championships in just one season and then becoming the highest U.S. finisher at both the 2018 Olympics and world championships, Tennell felt as if she were spinning her wheels.

It wasn’t as if the figure skater from north suburban Chicago no longer was getting solid results. Last season, despite a foot injury in late summer, she became the first U.S. woman to qualify for the Grand Prix Final since 2015 and the first to win a Four Continents Championship medal (bronze) since 2017. She also completed a full set of medals at nationals, adding 2020 bronze to her 2018 gold and 2019 silver.

“But I was getting older, and I didn’t feel I was reaching my goals fast enough, and I wasn’t progressing fast enough,” Tennell said.

Tennell was increasingly annoyed by her failure to get traction on her goal of adding another spin to one jump, the Axel. She wanted to master the triple Axel, a jump that is turning into something of a litmus test for elite women the way it did for elite men in the 1980s.

It reached the point where, at age 22, she would explain the frustration during a recent phone interview with a paraphrase of a quote about insanity attributed to Albert Einstein.

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Virus put Grand Prix plans on hold for Orser's international skating stars

Virus put Grand Prix plans on hold for Orser's international skating stars

Over the past decade, the Toronto club where Brian Orser coached South Korea’s Yuna Kim to the 2010 Olympic title has become such an attraction for top figure skaters from around the globe that it could add a word to a name that already is a mouthful.

You could call it the Toronto International Cricket Skating and Curling Club.

But its reach now is limited by the deadly virus pandemic that has effectively frozen out the elite athletes from Japan, Russia, South Korea and Poland who train at the Cricket Club.

That situation won’t change quickly, even with the International Skating Union having announced Monday its plans to proceed with a live format for the international Grand Prix Series. This fall, it will become a series of six essentially domestic competitions scheduled to begin with Skate America Oct. 23-25 in Las Vegas.

If they take place.

“As soon as the skaters can come back, it will be full steam ahead… to where, we don’t know,” Orser said via telephone Wednesday.

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At 14, after consecutive U.S. figure skating titles, Alysa Liu leaves longtime coach

At 14, after consecutive U.S. figure skating titles, Alysa Liu leaves longtime coach

Two-time reigning U.S. figure skating champion Alysa Liu has left her longtime coach, Laura Lipetsky, to work with a team including coaches in California and Canada.

Liu, 14, of Richmond, Calif. had been coached by Lipetsky since she began skating at age 5.

Liu is now to train with three-time Italian Olympic ice dancer Massimo Scali, who is based in Oakland, and with Lori Nichol and Lee Barkell, who are based at the Granite Club in Toronto.

“I have really enjoyed working with Alysa for her entire skating career,” Lipetsky said in a text message. “Massimo Scali and her father informed me that I would no longer be working with her. To not add to her distraction and allow her the opportunity to focus on being the best she can be, I prefer not to comment any further.”

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New math: Figure skating’s latest recalculations change skaters’ formula for success

New math: Figure skating’s latest recalculations change skaters’ formula for success

In the ever-changing calculus of figure skating’s mathlympics, the latest recalculations change some of Nathan Chen’s formula for success.

His two highest-valued jumps, the quadruple Lutz and quad flip, no longer add up to much – or as much – of an advantage.

When Chen hit his first quad Lutz in 2016, the element had a base value of 13.6 points, the highest score for a jump anyone has landed in competition. At that time, a quad Lutz was worth 1.3 points more than a quad flip and 1.6 more than a quad loop.

By last season, when Chen won his second straight world title with brilliant quad Lutzes in the short program and free skate, the jump’s value had been reduced to 11.5, compared to 11.0 for the flip and 10.5 for the loop.

Next season, according to the scale-of-value list the International Skating Union published last week, the Lutz, flip and loop all will have a base value of 11.0. And the Lutz now will be worth just 1.5 more than the mundane quad toe loop after having been worth 3.3 more back in 2016.

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