The Olympic skating season so far: Injuries and Russian women (and more Russian women. And more. . .)

The Olympic skating season so far:  Injuries and Russian women (and more Russian women.   And more. . .)

A baker’s dozen of takeaways halfway through the Grand Prix season – and just under three months from the start of the 2022 Winter Olympics:

1. The injury list added two big names in the last week: Yuzuru Hanyu of Japan, the two-time reigning OIympic champion, and reigning world bronze medalist Alexandra Trusova of Russia, who won Skate America, both have withdrawn from this week’s NHK Trophy with foot injuries, meaning neither can qualify for the Grand Prix Final Dec. 9-12 in Osaka, Japan.

Others previously on the “disabled list”: Japan’s Rika Kihira, the 2018 Grand Prix Final winner and reigning national champion, withdrew from both her scheduled Grand Prix events, as did reigning U.S. champion Bradie Tennell.

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At 23, Mariah Bell believes her best is yet to come - including a spot at the Olympics

At 23, Mariah Bell believes her best is yet to come - including a spot at the Olympics

Memory is an often-imprecise function of the mind. Much of how we remember something owes to the atmosphere of the environment in which it happened, in which we experienced it.

This is especially true of seeing performances live, whether they are athletic, artistic or a combination of both. A brilliant performance in a nearly empty, nearly silent venue often will become less than it was in our memory. The same performance before a cheering or applauding large crowd at a significant event often is remembered as more than it was.

Video allows us to test memory dispassionately against reality. Rarely does such replay of something remembered as spectacular make it look as good upon review, stripped from the emotions and context of the moment.

That is what makes Mariah Bell’s free skate performance at the 2020 U.S. Championships so singular, both for her and everyone who saw it at the Greensboro Coliseum in North Carolina last January.

After each of the several times watching it again to write this story, Bell’s elegant, near flawless skating to k.d. Lang’s haunting interpretation of the emotionally powerful Leonard Cohen song, “Hallelujah” actually has gotten progressively better than my memory of the live performance having been remarkable.

It was the epitome of what skaters strive for: the “whole package” of jumps, spins, footwork, ice presence, emotion, interpretation and striking body positions, all seamlessly and commandingly executed. At the national championships, with a roaring crowd on its feet 20 seconds before the four-minute performance ended, with tears streaming down Bell’s face before the music stopped.

It was also the unquestioned highlight of the then 23-year-old Bell’s lengthy and, at times, exasperatingly inconsistent career. It took her from third after the short program to second overall, the most impressive result in her eight seasons as a senior skater, beaten only by phenom Alysa Liu’s point-gobbling jumps. Under pressure in a major event, Bell finally had gotten past being undone by the final jump in her free skate.

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