Takeaways: Chen, Honda set themselves apart from skating peers

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Takeaways: Chen, Honda set themselves apart from skating peers

SALT LAKE CITY - Here are six takeaways from the 2017 U.S. International Figure Skating Classic, which marked the real start of the Olympic season.

1. Nathan Chen stood out last season, not only for succeeding on history-making quadruple jumps but also for accepting the risk to attempt them.

He stood out in his first competition of this Olympic season, the U.S. International Figure Skating Classic, by taking some musical risk while most singles skaters are playing it safe with old warhorses like Turandot, Carmen, Phantom of the Opera, et al., ad nauseam.

Chen let his choreographers -- Shae-Lynn Bourne (who did his short program to the Benjamin Clementine version of "Nemesis") and Lori Nichol (who used the score from the film Mao's Last Dancer, with its powerful passage from Stravinsky's The Rite of Spring, to craft his free skate) -- pick the music.

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"Superhuman" Nathan Chen makes more skating history

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"Superhuman" Nathan Chen makes more skating history

It's the same wondrous story, with a new twist.

Nathan Chen made more personal and global skating history Friday night at the 2017 U.S. International Figure Skating Classic by landing a clean quadruple loop on the first attempt at the jump in his competitive career.

And, Chen did it in his first competition of the Olympic season, on the rink where he first took to the ice at age two, a rink built as a practice facility for the 2002 Winter Olympics. He did it in a free skate that made him an easy winner over teammate Max Aaron.

So, he is now the first man to land five different quads -- lutz, flip, salchow, loop and toe loop -- although not all in one program.

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ISU proposes "radical change" to rebalance figure skating's artistry and athleticism

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ISU proposes "radical change" to rebalance figure skating's artistry and athleticism

A top official at the International Skating Union said the organization is looking at "radical change" in figure skating in order to achieve a better balance between the athletic and artistic sides of the sport.

The change would involve substantially lowering the base values of quadruple jumps and, for pairs, quadruple throws. For three of the five quads being done in men's singles, the reduction would be more than 10 percent, according to proposed numbers obtained by icenetwork.

"This is the direction line I am working on with the intent to make a radical change for the future development of the sport, hoping to bring back the popularity that figure skating used to have in the past," Italy's Fabio Bianchetti, the chair of the ISU Single & Pair Skating Committee, wrote in an email.

Another change may include replacing the current short program and free skate with what would effectively be an athletic program and an artistic program. Each would award full medals in events like the Olympics and the world championships, and there also would be a full medal for the all-around winner.

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For Abbott, a figure skating career of brilliance and tarnish

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For Abbott, a figure skating career of brilliance and tarnish

What to make of Jeremy Abbott’s competitive figure skating career, now that he used a Thursday interview on the icenetwork podcast, “Ice Talk,” to bring it to an official end?

He was a blend of unquestionable brilliance and baffling mediocrity, the latter covering many of his scintillating moments in a dull finish.

With four senior titles, Abbott is among most decorated men’s skaters at the U.S. Championships.  In the past 65 years, only Todd Eldredge has won more national titles (six).  Abbott won all his in the International Judging System era; no other U.S. man has won more than two in that 12-season period, none more than one in the nine seasons since Abbott won his first.

Abbott skated like a world-beater at several of those U.S. Championships, none more so than 2010, when his performances were better than those of the medalists at the Vancouver Olympics a month later.

And he skated at various levels of back-in-the-pack inconsequence in all his global championships, none more so than those 2010 Olympics, when he was 15th (!) in the short program and ninth overall.

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