Skate judge under investigation resigns; status of inquiry uncertain. Was Spanish Olympic dance selection affected?

Skate judge under investigation resigns; status of inquiry uncertain.  Was Spanish Olympic dance selection affected?

Alexandre Gorojdanov, the Belarusian under investigation for questionable actions at a December figure skating competition, has resigned from his positions as an international judge and referee.

Gordojadnov’s resignation was confirmed in a Saturday email by Alexander Lakernik of Russia, the International Skating Union’s top figure skating official.

Lakernik, ISU vice-president for figure skating, would not comment on the reason for Gorojdanov’s resignation or whether it meant the investigation was over.

"I can confirm the rest only after the formal decision is taken," Lakernik wrote.

Globetrotting reported exclusively Dec. 20 that Gorojdanov, who served a 6 1/2-month suspension earlier in 2017 for violating the ISU code of ethics as a pairs referee at a 2016 event, was under investigation again for his behavior at the Golden Spin of Zagreb, an ISU Challenger Series event Dec. 6-9 in Zagreb, Croatia.

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In "I, Tonya," truth is slippery as ice

In "I, Tonya," truth is slippery as ice

The screen is black.  There is a cough.  And then another.  This is the first 30 seconds of “I, Tonya.”  It is all the time necessary for those of us familiar with anecdotal details about Tonya Harding’s life to know that the screenwriter and filmmakers had done their homework.

Tonya Harding, a living series of contradictions, is an asthmatic who undermined her athletic career by smoking and, consequently, coughing.  Coughing is the first sound – and smoking the first view – of Margot Robbie portraying Harding on the screen.   

In watching the rest of the movie, knowing this story as well as those of us who covered it know this story led to a number of issues.

The first time I saw it, in a theater at October’s Chicago International Film Festival, I got hung up on trying to reconcile the film’s narrative with the facts.

My next three viewings, on a screener provided by the film’s distributors, Neon and 30West, allowed me to see “I, Tonya” for what it is as a movie:  a clever, farcical, sarcastic, wonderfully acted comic tragedy (or tragic comedy?).  But I came away feeling the film had mistakenly fallen in love with Tonya, making it prey to the temptation to pardon Harding for her missteps, her irresponsible behavior and her willful waste of a generational talent. 

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With time on her side, Alina Zagitova, a young woman vibrant in red, catches' judges fancy

With time on her side, Alina Zagitova, a young woman vibrant in red, catches' judges fancy

As the Olympic figure skating season moves into the national championship phase, a few more observations about the Grand Prix season and Grand Prix Final:

1.  All you Alina Zagitova detractors (that includes you, CBC) aren’t going to like this: the new Grand Prix Final winner, age 15, looks better every time I see her.

Part of it owes to the costuming and free skate program pattern that emphasize her strengths, which are jumps.

The vibrant red in the tutu-qua-dress and long gloves Zagitova wears grabs the eye, says she is portraying a ballerina and limns her movement so beautifully it is easy to forget she does no jumps in the first half of the four-minute free skate to the Russian ballet classic, “Don Quixote.”  And while I hope the rules are changed to eliminate such 100 percent back loading, who can fault her coaches for taking advantage of the point bonus that comes with those jumps?

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Men's figure skating has mess on its hands (and knees, and butts)

Men's figure skating has mess on its hands (and knees, and butts)

The Grand Prix and Challenger Series events ended last weekend, moving this Olympic figure skating season into the national championship phase (the first two of note are Russia, Dec. 19-24 in Saint Petersburg and Japan, Dec. 20-24 in Tokyo.)

There are big questions related to each.  Will injured reigning world champion Evgenia Medvedeva compete in the Russian Championships? Will injured reigning world and Olympic champion Yuzuru Hanyu be ready for Japanese nationals?

A 2018 Olympic spot for each should be a foregone conclusion, notwithstanding the unanswered questions about eligibility for all Russian athletes.  Given that Medvedeva did not compete at the Sochi Olympics, the epicenter of current Russian doping issues, and given that she has had no doping positives, nothing but injury should keep her from competing in Pyeongchang.

The Grand Prix Series also has left other unanswered questions.  Here are a few involving men’s singles (I’ll get to women, pairs and dance later in the week):

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In Grand Prix Final, watch the competitions within the singles competition

In Grand Prix Final, watch the competitions within the singles competition

Who knows what to make of the singles competition in the Grand Prix Final?

The women’s event beginning Friday in Nagoya, Japan, is missing the two-time reigning world champion and overwhelming favorite, Evgenia Medvedeva of Russia, sidelined by a broken foot, as well as the 3-4 finishers at last year’s worlds, Gabrielle Daleman of Canada and Karen Chen of the United States.  Both Daleman and Chen wound up miles from Japan after finishing, 16th and 23rd, respectively, in the season standings, with only the top six earning places in the final.

The men’s event beginning Thursday does not have reigning world champion Yuzuru Hanyu of Japan (injury prevented him from a near certain qualification), Javier Fernandez of Spain (did not qualify) and Patrick Chan of Canada (skipped second Grand Prix event after a poor showing in his first.)

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