Ilia Malinin, the “quadg0d,” seems heaven-sent for U.S. figure skating

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Ilia Malinin, the “quadg0d,” seems heaven-sent for U.S. figure skating

When Ilia Malinin started skating, at age 6, the rink was basically a day care center for him.

His parents, Tatyana Malinina and Roman Skorniyakov, each a two-time figure skating Olympian for Uzbekistan, both were coaching, and it was both easier and less expensive to have their son with them after school at the SkateQuest facility in Reston, Virginia.

“At the beginning, we didn’t take it seriously,” Malinina said. “We just took him to where we were working, and he was skating there.”

That changed three years later.

With minimal preparation, skating just three times a week, Malinin qualified for the 2015 U.S. Championships in the juvenile division when he was just 9 years old. He finished ninth.

Suitably impressed, Malinin and Skorniyakov started having him skate under their tutelage five times a week. In 2016, just after his 11th birthday, he became national juvenile champion.

Many others soon would be as captivated as his parents by their son’s nascent talent.

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At age 11, Nathan Chen set his course for Olympic gold

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At age 11, Nathan Chen set his course for Olympic gold

Nathan Chen vowed publicly to have fun at his second Olympics, to free his head of the anxiety that overwhelmed him four years ago.

Chen remained so true to that pledge that he even broke out a wry smile after his one mistake in a free skate of surpassing difficulty Thursday afternoon.

He handled the free and an equally demanding short program so well on his sport’s biggest stage that Chen won the Olympic gold medal easily at the 2022 Winter Olympics.

But there was nothing easy about the journey that got him here.

“I never thought I would actually be able to make this happen,” Chen said. “It was a pretty daunting mountain.”

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In potential swan song, U.S. figure skater Jason Brown vows to do things his way

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In potential swan song, U.S. figure skater Jason Brown vows to do things his way

Jason Brown is a skater for an earlier time, the one before multiple quadruple jumps became necessary to win medals at major international competitions.

And yet Brown still is a skater for all time, one who has created indelible impressions from the entirety of his programs rather than from instants of outstanding athleticism provided by the revolutionary jumps.

"I have utmost respect for what those guys are doing to push the sport technically," he said this week in China. "I’m just in absolute awe, and I wish I could be one of them as well. But I am going to push the sport in my way."

That is through performances like the one Brown gave Tuesday in the short program at the 2022 Winter Olympics. His four jumps simply were part of a seamless, compelling expression of a traditional Black spiritual, "Sinnerman," as sung by Nina Simone and choreographed by Rohene Ward with references to what Alvin Ailey created for his landmark ballet, "Revelations."

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After pushing sport's limits again, Nathan Chen earned his rare celebration

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After pushing sport's limits again, Nathan Chen earned his rare celebration

His right arm came flying through the air in an arcing fist pump, a public gesture of intensity rare for Nathan Chen but one that was perfectly understandable when it happened.

"I have no idea what came over me," Chen would say. "It just felt right."

He was happy. And relieved. And expressing in one brief, emphatic movement what Chen called "a full spectrum of emotions you can feel in one moment," the moment that followed his flawless and impassioned skating.

For an athlete who admits to a predilection for keeping things bottled up, this was the time to let the cork pop.

After all, Chen had once again exploded his sport’s limits, and this time he did it in the Olympics, the competition where he had imploded four years ago.

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Nathan Chen makes a statement with commanding short program in Olympic team event

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Nathan Chen makes a statement with commanding short program in Olympic team event

Nathan Chen’s short program to the Charles Aznavour song “La Boheme” includes a passage with an expressive emotional release, his mouth clenched into a grimace, his eyes afire with the passion and longing of the artist the lyrics describe.

The emotion in that choreographed expression during the team event short program Friday morning at the 2022 Winter Olympics also spoke of a different release than the one Chen needed simply to inhabit the role he was interpreting.

Chen seemed to be letting go of all the frustration and disappointment that had followed his stunningly poor performances in the team event and individual event short programs during his Olympic debut four years ago.

“It feels good to have a short program that I actually skated well in an Olympic experience,” Chen said.

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