New math: Figure skating’s latest recalculations change skaters’ formula for success

New math: Figure skating’s latest recalculations change skaters’ formula for success

In the ever-changing calculus of figure skating’s mathlympics, the latest recalculations change some of Nathan Chen’s formula for success.

His two highest-valued jumps, the quadruple Lutz and quad flip, no longer add up to much – or as much – of an advantage.

When Chen hit his first quad Lutz in 2016, the element had a base value of 13.6 points, the highest score for a jump anyone has landed in competition. At that time, a quad Lutz was worth 1.3 points more than a quad flip and 1.6 more than a quad loop.

By last season, when Chen won his second straight world title with brilliant quad Lutzes in the short program and free skate, the jump’s value had been reduced to 11.5, compared to 11.0 for the flip and 10.5 for the loop.

Next season, according to the scale-of-value list the International Skating Union published last week, the Lutz, flip and loop all will have a base value of 11.0. And the Lutz now will be worth just 1.5 more than the mundane quad toe loop after having been worth 3.3 more back in 2016.

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With 2020 worlds definitively gone, skaters like Jason Brown try to stay on peak while off ice in uncertain times

With 2020 worlds definitively gone, skaters like Jason Brown try to stay on peak while off ice in uncertain times

Thursday’s unsurprising news that the 2020 World Figure Skating Championships were definitively cancelled had minimal impact on Rafael Arutunian.

The impact of having little else definitive about figure skating’s future schedule is what Arutunian struggles to deal with.

“We knew this is what would be done with worlds,” said Arutunian, coach of two-time reigning world champion Nathan Chen. “What happens now with next season?”

The International Skating Union’s governing council hopes to provide some clarity about that after it meets again by conference call April 28. Even then, though, most of its answers will have to be prefaced by a literal or understood “if,” since there remains little certainty about the further development of the coronavirus pandemic and its consequent effect on the world of sport.

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Alina Zagitova takes a break: what does that say about figure skating?

Alina Zagitova takes a break:  what does that say about figure skating?

All the wailing and gnashing of teeth about the potential end of Alina Zagitova’s competitive career at age 17 has had enough time to die down that everyone can take a less emotional look at the situation.

And what better time to do that than just before the Russian National Championships? Had Zagitova, reigning Olympic and world champion, been competing in Krasnoyarsk this week, she would have been hard-pressed to improve on her startlingly poor fifth-place finish of a year ago, when three junior skaters swept the senior podium. Those three are likely to get all the medals again.

Yes, Zagitova insisted in a clarification Instagram post two days after announcing her plans that she is only taking a competitive break, while performing in ice shows and continuing to train. Wait until she sees how much better it feels not to be beating herself up and down – trying to contend with skaters in just her own Moscow club like the current top three in the world and the 11-year-old girl who just landed a quadruple toe loop.

And this is a lot bigger story than whether one skating champion like Zagitova can no longer keep up with the competition.

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Grand Prix Final results show how fast women’s figure skating revolution is progressing

Grand Prix Final results show how fast women’s figure skating revolution is progressing

The revolution in women’s figure skating is being televised.

That’s a turn of phrase on an admittedly dated reference (Google it). The point is we all have been able to witness, from TV broadcasts or live streams, a season with the most radical change in the sport since child prodigy Sonja Henie, then age 11, began doing jumps in her programs nearly a century ago.

What we watched other child prodigies do at last week’s Grand Prix Final boggled the minds of even those who saw it coming, because no one imagined it coming this soon and to this degree.

This essentially Russian revolution, which has taken maximum advantage of the scoring system and youthful body types to overthrow longtime technical norms of women’s skating, has split the discipline into haves and have-nots.

There are those who have the high-scoring quadruple jumps or multiple triple Axels to seize all the medals. And those who do not have those big jumps and, as of now, no chance to regain the podiums from which they have been summarily ousted.

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