Nathan Chen’s coach loses Skate Canada accreditation over “inadvertently” violating Covid “bubble” protocols

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Nathan Chen’s coach loses Skate Canada accreditation over “inadvertently” violating Covid “bubble” protocols

Nathan Chen’s coach, Rafael Arutunian, was not able to be at Chen’s side for Saturday’s free skate after Arutunian had his Skate Canada accreditation revoked for his inadvertent Friday violation of Covid-19 protocols at the event.

Reached by phone Saturday as he went for a PCR test so he could leave Canada immediately after the free skate, Arutunian said he would watch Chen from the spectator seats. Chen won Friday’s short program to take a 12-point lead into the free, which he also won easily.

“Nathan told me, ‘If you want to leave right away, it’s OK, I will take care of myself,’” Arutunian said.

Arutunian said he violated the protocol because of a lack of signage at a point where he had to decide which way to turn. He wound up in spectator seats, which are outside the bubble that skaters and coaches are required to stay within.

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For Nathan Chen, what happened in Vegas stayed in Vegas

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For Nathan Chen, what happened in Vegas stayed in Vegas

Twenty-eight seconds into his short program at Skate America in Las Vegas a week ago, Nathan Chen found himself with his rear end on the ice.

It wasn’t the first time Chen had fallen in a competition, of course. It actually had happened in his previous individual competition, the 2021 World Championships. And it was on the same opening short program jump, a quadruple lutz, putting him third going into a free skate he easily won to take a third straight world title.

Yet the fall at Skate America last week clearly affected him more. Chen botched his third jumping pass and wound up with his worst short program score since the 2018 Olympics. The desultory free skate (four clean quads notwithstanding) that followed left him third overall, with his lowest total score in 22 international events dating to autumn 2016 and also his first loss since those 2018 Olympics.

That is why Chen chose to go right back to the quad lutz rather than pick an easier jump to open Friday’s short program at Skate Canada in Vancouver.


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In figure skating’s long, strange trip of a season, Nathan Chen showed the way

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In figure skating’s long, strange trip of a season, Nathan Chen showed the way

What a long, strange trip it has been for figure skating over the past 13 months.

From the cancellation of the 2020 World Championships in Montreal when the first wave of the pandemic hit full force last March through dealing with two more COVID waves since then, the International Skating Union had to:

*Cancel six of the 10 events (and indefinitely postpone two more) in the second-tier Challenger Series of international events.

*Remake the top tier, six-event Grand Prix Series as domestic-only, with no Final and both France and Canada cancelling their GP events. (Canada also cancelled its national championships.)

*Cancel its two regional championships, the European Championships and Four Continents Championships.

For all that, the season came to a satisfying end. The ISU pulled off both the 2021 World Championships last month in a Stockholm, Sweden, bubble with no spectators other than skaters and officials and the 2021 World Team Trophy last week in an Osaka, Japan, bubble with limited spectators – while Osaka prefecture was in a state of emergency due to a surge in COVID cases.

Here are some takeaways from the 2020/21 season (such as it was):

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By the (likely) final performance, Nathan Chen became a mirror for Glass music

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By the (likely) final performance, Nathan Chen became a mirror for Glass music

My observations from Day 2 of 3 at the World Team Trophy, where Nathan Chen was Same As He Ever Was in winning the free skate after winning the short program on Day 1.

(Wait…maybe Talking Heads for him in the Olympic season?)

1. It’s too bad that Friday was most likely the last time Nathan Chen will skate the free program Shae-Bourne artfully choreographed to selections from the music of the minimalist composer, Philip Glass.

Chen clearly had a physical as well as intellectual understanding of Glass, having studied his music at Yale and having learned how to play part of it on the piano. The skater’s interpretation got more nuanced each time he performed it, with the final half of the four minutes at the World Championships and the opening 30 seconds at World Team Trophy clear evidence of how he “got” the music.

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At World Team Trophy, another angle on Chen-Hanyu rivalry

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At World Team Trophy, another angle on Chen-Hanyu rivalry

Thanks to NBC’s Peacock TV for the ability to watch the World Team Trophy from Osaka, Japan, at a reasonable hour in the USA via replay.

It meant I was awake enough to make some (hopefully) coherent observations after Thursday’s day one, which included singles short programs and the rhythm dance.

In no particular order of importance:

I used to think (at least until the 2018 Olympic free skate) that Japan’s Yuzuru Hanyu was so dominant, particularly in component scores, that he could make one semi-serious mistake and still win in any program.

Nathan Chen has shown that thinking no longer prevails, particularly among judges.

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